Happy Together: Group Exhibition

15 May - 3 July 2015
Installation Views
Press release

Happy Together, a group exhibition featuring works by Kim Beom, Kwan Sheung Chi, Lee Kit, Minouk Lim, Park Chan-Kyong, Pratchaya Phinthong, Ming Wong, and Yang Zhenzhong

 

Curated by Clara M Kim, Happy Together is the inaugural exhibition of Tina Kim Gallery’s new space on 21st street. The exhibition focuses on works made over the last 15 years, taking an ironic turn to reveal the inherent precariousness and fragility that holds Asia together, a continent with no shared language, culture or religion. The exhibition includes work by Kim Beom, Kwan Sheung Chi, Lee Kit, Minouk Lim, Park Chan-Kyong, Pratchaya Phinthong, Ming Wong, and Yang Zhenzhong.

 

Happy Together considers the diverse artistic practices coming out of Asia, against the backdrop of global forecasts that prognosticate the 21st century as the “Asian Century.” Through a discrete body of artist’s works, the exhibition attempts to demystify grand narratives and complicate the dynamics that shape everyday life, including the legacies of colonialism, the cold war, rampant industrialization, and more recently, heated territorial disputes. Happy Together borrows its title from Wong Kar Wai’s 1997 film of the same name to conjure the transformation of the public and private space amidst radical changes. Together, the artists in the exhibition from China, Korea, Hong Kong, Singapore and Thailand, represent a generation negotiating the contradictory intersection between political agenda and everyday reality.

 

Clara M Kim is an independent curator based in Los Angeles. Recent curatorial projects include Mark Bradford: Tears of a Tree at the Rockbund Art Museum (Shanghai); Paulo Bruscky: Artist Books and Films, 1970-2013 at Galerie Nara Roseler (Sao Paulo), The Mistake Room (Los Angeles) and Another Space (New York); the mid-career survey Abraham Cruzvillegas: The Autoconstruccion Suites at the Walker Art Center (Minneapolis), Haus der Kunst (Munich) and Museo Jumex and Amparo (Mexico); and An Album: Cinematheque Tangier, a project by Yto Barrada and Minouk Lim: Heat of Shadows both at the Walker Art Center. Kim was formerly senior curator at the Walker Art Center (2011-13) and Director/Curator of Gallery at REDCAT in Los Angeles (2007-11).

Works
  • Kim Beom Hometown, 1998 Book 5 x 7 inches
    Kim Beom
    Hometown, 1998
    Book
    5 x 7 inches
  • Kim Beom Horse Riding Horse (after Eadweard Muybridge), 2008 1 channel video 24 seconds, loop Edition of 5
    Kim Beom
    Horse Riding Horse (after Eadweard Muybridge), 2008
    1 channel video 24 seconds, loop
    Edition of 5
  • Kim Beom Jar White Porcelain with Spinosaurus Design in Underglaze Colbat-blue #2, 2011 Ball-point pen and transparent lacquer on paper clay 9 x 9 x 12 1/2 inches 22.9 x 22.9 x 31.8 cm
    Kim Beom
    Jar White Porcelain with Spinosaurus Design in Underglaze Colbat-blue #2, 2011
    Ball-point pen and transparent lacquer on paper clay
    9 x 9 x 12 1/2 inches
    22.9 x 22.9 x 31.8 cm
  • Kwan Sheung Chi A Flags-Raising-Lowering Ceremony at my home's clothes drying rack, 2007 Single channel video, HDV, color, stereo sound Edition of 5
    Kwan Sheung Chi
    A Flags-Raising-Lowering Ceremony at my home's clothes drying rack, 2007
    Single channel video, HDV, color, stereo sound
    Edition of 5
  • Lee Kit 1., 2015 Acrylic, emulsion paint, inkjet ink and pencil on cardboard 11 x 14 inches
    Lee Kit
    1., 2015
    Acrylic, emulsion paint, inkjet ink and pencil on cardboard
    11 x 14 inches
  • Lee Kit 3, 2015 Acrylic, emulsion paint, inkjet ink, pencil and readymade objects on acid-free board 11 x 14 inches
    Lee Kit
    3, 2015
    Acrylic, emulsion paint, inkjet ink, pencil and readymade objects on acid-free board
    11 x 14 inches
  • Lee Kit I feel fine and I feel good, 2015 Acrylic, emulsion paint, inkjet ink and pencil on cardboard, stretcher, includes looped video 15 x 17.7 inches
    Lee Kit
    I feel fine and I feel good, 2015
    Acrylic, emulsion paint, inkjet ink and pencil on cardboard, stretcher, includes looped video
    15 x 17.7 inches
  • Ming Wong Four Malay Stories (Cinema Billboard), 2005 Acrylic emulsion on canvas Dimensions variable Edition of 5, 2 AP
    Ming Wong
    Four Malay Stories (Cinema Billboard), 2005
    Acrylic emulsion on canvas
    Dimensions variable
    Edition of 5, 2 AP
  • Ming Wong Stills from Four Malay Stories, 2005 Four channel video installation Dimensions and durations variable Edition of 5, 2 AP
    Ming Wong
    Stills from Four Malay Stories, 2005
    Four channel video installation
    Dimensions and durations variable
    Edition of 5, 2 AP
  • Minouk Lim Portable Keeper, 2009 Video Dimensions variable Edition of 3, 2 AP
    Minouk Lim
    Portable Keeper, 2009
    Video
    Dimensions variable
    Edition of 3, 2 AP
  • Minouk Lim Portable Keeper, 2009 5 sculptures of discarded writing tools, feathers, artificial fur and parts of electric fans Dimensions variable
    Minouk Lim
    Portable Keeper, 2009
    5 sculptures of discarded writing tools, feathers, artificial fur and parts of electric fans
    Dimensions variable
  • Park Chan-Kyong Sets, 2000 Photographs (35mm, automated slide projection) 15 minutes Edition of 3, 2 AP
    Park Chan-Kyong
    Sets, 2000
    Photographs (35mm, automated slide projection)
    15 minutes
    Edition of 3, 2 AP
  • Pratchaya Phinthong A proposal to set CH4*5.75H20 on fire (work in progress), 2013 9 framed prints + sound element pigmentary print on paper Framed Dimensions: 40 x 48 x 2.5 inches
    Pratchaya Phinthong
    A proposal to set CH4*5.75H20 on fire (work in progress), 2013
    9 framed prints + sound element pigmentary print on paper
    Framed Dimensions:
    40 x 48 x 2.5 inches
  • Yang Zhenzhong 922 Rice Corns, 2000 Single Channel Video 7 Minutes 58 Seconds Edition of 10
    Yang Zhenzhong
    922 Rice Corns, 2000
    Single Channel Video
    7 Minutes 58 Seconds
    Edition of 10