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Born in 1941, Suh Seung-Won is younger than the more-prominent painters—such as Ha Chong-Hyun (b. 1935), Park Seo-Bo (b. 1931), or Yun Hyong-keun (1928–2007)—associated with Dansaekhwa, or Korean monochrome painting. Although commonly grouped in with them, Suh, at least during the period covered by this show (1967 to 1989), seems to come from a different branch of abstraction’s family tree: Where their art is earthy, based in process and materials, his hard-edged shapes are rendered in flat hues and inexpressive surfaces, exuding a spirit more akin to that of Russian Suprematism.

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