Ha Chong-Hyun (b. 1935), a leading member of the Dansaekhwa group, began his Conjunction series in 1970s post-war Korea and has dedicated his practice to this series ever since. Conjunction refers to the physical connection between the two most important elements of his practice, his methods and his materials, and how the two are intertwined, or ‘conjoined.’ The burlap he began to substitute in place of the more traditional canvas after the Korean War allows him to approach each painting from the reverse, pushing thick paint through the loose weave. The oil paint then emerges from the front, creating a texture that has become entirely unique to Ha’s practice. Though he has maintained these practical methods for decades, Ha continues to experiment in his works, incorporating new colors and abstract patterns.