Tina Kim Gallery is pleased to present 'Jeong 井', a solo exhibition of works by Seoul-based artist Suki Seokyeong Kang. On view from 28 February - 7 April 2018, the exhibition features installations, sculptures and video works that reflect Kang’s study of the traditional Korean musical notation system Jeongganbo (井間譜).

First invented during the Joseon Dynasty (1392 until 1910), Jeongganbo is a method used to notate the pitch and length of time of notes within traditional orchestral music. The notation system is distinctive from the Western method of using staffed paper; in Jeongganbo each note occupies a small square, organized sequentially to connote time. Kang has chosen to use the Chinese character (井) in her title because of its resemblance to this grid system. Kang (b. 1977) has adopted this traditional grid as a foundation of her practice, using it to explore how we form social spaces.

In 'Jeong 井', Kang presents a series of modules that are a visual translation of Jeongganbo. Using the logic of the grid allows the artist to incorporate other elements including painting, mixed media and found materials and narratives from traditional Korean lyrics. Kang’s practice is organized around this complex and layered research, and her distinctive translation process is used to transform the notational system of traditional music into a spatial choreography. For the artist, each individual square symbolizes the rich tonality and movement of the viewer, all the while maintaining the restraint that defines Jeongganbo. When combined, her modules become a visual system that seeks balance, allowing for the coexistence of each individual square in a greater installation that frames the relationship between artwork and viewer...