The Brooklyn Rail reviews Ghada Amer's survey "Love Has No End" at the Brooklyn Museum
Author: Kimberly Lamm
A New York Times review of Ghada Amer's survey exhibition "Love Has No End" at the Brooklyn Museum.
By Karen Rosenberg
A discussion of Ghada Amer's ceramic practice.
Richard Vine reviews Ghada Amer's exhibition Dark Continent at the Centre de Création Contemporaine Olivier Debré
September 1, 2018
Critics' Pick: Chung Seoyoung at Barakat Contemporary, Seoul.
By: Jung-Ah Woo
A Major Korean Painter Begins to Get His Due
While postwar Korean artists are celebrated in the West, the strongest painters of the next generation remain under-known.
By: John Yau
Editors Picks: 12 Things Not to Miss in New York’s Art World This Week
Purvis Young, Loie Hollowell, Kim Tschang-Yeul, and other Favorites from Art Basel Miami Beach 2019
‘People Get Into the Rhythm’: Here’s What VIPs Were Buying During Art Basel Miami Beach’s Leisurely Preview Day
Kim Tschang-Yeul’s Oozing Guts and Water Droplets are Windows onto Invisible Worlds
‘It Needs to Be More Than Just a Surface-Level Effort’: Dealer Tina Kim on the Rise of Women Artists in 2019, and What Must Happen Next
Aichi Triennale Artist Minouk Lim Speaks Out on Art World Censorship and How the Exhibition Could Be ‘Reborn’
Suki Seokyeong Kang Reimagines the Korean Landscape by Turning Traditional Techniques on Their Head
Suh Seung-Won Helped Pioneer Modernism in Korea. Now, an Exhibition in New York Takes A Close Look at His Experimental Early Years
Artists Demand Removal of Work from Aichi Trienniale Following Censorship Controversy
Tania Bruguera and Others Are Demanding Their Works Be Removed From the Aichi Triennale After a Censorship Controversy
In Florence, Davide Balliano strikes up a dialogue with sculptor Arturo Martini
By: Osman Can Yerebakan
A Little-Known Piece of Literary History Sparked the Idea for This New Exhibition
By Kwon Mee-yoo
Suki Seokyeong Kang continues experimenting with space at Venice Biennale
Suki Seokyeong Kang: Drawing on Korean cultural traditions to assemble a mise-en-scène of today
Mexico City’s Major Fair Exposes the Art World’s Renewed Love of Craft
남북 분단, 민간신앙…'아는 것'에 대한 고찰
(South-North Korea Division, Folk Belief...A Study on ‘Knowing’)
By Robert C. Morgan
By Drew Clayton
Jeong: 28 Feb — 7 Apr 2018 at Tina Kim Gallery in New York, United States
‘The Arts of Korea’ Review: Cosmopolitan Creativity
“Ability vs Invisibility”: Korean artist Chung Seoyoung at Tina Kim Gallery, New York
Davide Balliano’s Mystical Geometrics at Tina Kim Gallery
By: Nicholas Forrest
The Questionnaire with the Italian Artist Based in New York Davide Balliano
Davide Balliano: 26 Jan — 24 Feb 2017 at Tina Kim Gallery in New York, United States
Born in 1957, in Seoul, Rhee Kibong is an artist using elements like fog, bubble, water, and dust. He explains the beauty of these substances although they are ephemeral and fades easily and explains that our body works in a similar way. He does not set any limits to materials, rather makes painting and installation both. Earning his B.F.A and M.F.A in Painting from Seoul National University, he is currently a professor of Fine Arts Department at the Korea University. He was included in Cagnes International Art Festival(1991), Bienal de Arte Contemporaneo de Sevilla(2008), Asia Pacific Triennial of Contemporary Art(2009), Moscow Biennale(2011) and other many exhibitions, gain attention.