As the painter Park Seo-Bo, 89, pursues two museums for his art, the shows keep coming — along with a candid book by his daughter.
"The bold and colorful fresh work of Ha’s will make this a must-see exhibition this summer."
"Dansaekhwa" artist Ha Chong-hyun, 86, is exhibiting his latest works showcasing his "relationship with color" at Tina Kim Gallery in New York through June 30.
Tina Kim sold two paintings by Dansaekhwa artist Ha Chong-Hyun in the range of $200,000 to $300,000 as well as an intricate embroidery and text work by Ghada Amer for $45,000. The artist will show a new series of sculptures at the gallery next year—a body of work facilitated by the dealer’s own quarantine in Korea. While there, Kim worked to help facilitate the series’ production with a local fabricator.
“See what happens?” Kim said. “You get to work more closely with the artists in a time like this.”
During the same period of the 13th edition of the Gwangju Biennale, the Gwangju Biennale Foundation presents the GB Commission and MaytoDay projects at the former Armed Forces’ Gwangju Hospital.
By Harley Wong
By Jason Farago
By Park Yuna
By Kwon Mee-yoo
By Park Yuna
Godfather of Korean contemporary art says he finally began to enjoy painting, living the last moments of life on pastel tone
By Park Yuna
“Korean Art From 1953,” a lavish new book, is the most significant English-language overview yet of modern and contemporary art on the peninsula.
By Jason Farago
Critics' Pick: Chung Seoyoung at Barakat Contemporary, Seoul.
By: Jung-Ah Woo
While postwar Korean artists are celebrated in the West, the strongest painters of the next generation remain under-known.
By John Yau
Editors Picks: 12 Things Not to Miss in New York’s Art World This Week
8 Fascinating Finds from the FOG Design+Art Fair in San Francisco
Purvis Young, Loie Hollowell, Kim Tschang-Yeul, and other Favorites from Art Basel Miami Beach 2019
‘People Get Into the Rhythm’: Here’s What VIPs Were Buying During Art Basel Miami Beach’s Leisurely Preview Day
Kim Tschang-Yeul’s Oozing Guts and Water Droplets are Windows onto Invisible Worlds
‘It Needs to Be More Than Just a Surface-Level Effort’: Dealer Tina Kim on the Rise of Women Artists in 2019, and What Must Happen Next
Aichi Triennale Artist Minouk Lim Speaks Out on Art World Censorship and How the Exhibition Could Be ‘Reborn’
Suki Seokyeong Kang Reimagines the Korean Landscape by Turning Traditional Techniques on Their Head
Suh Seung-Won Helped Pioneer Modernism in Korea. Now, an Exhibition in New York Takes A Close Look at His Experimental Early Years
Object Manor: Charlap Hyman & Herrero's Tribute to Mario Praz
Artists Demand Removal of Work from Aichi Trienniale Following Censorship Controversy
Tania Bruguera and Others Are Demanding Their Works Be Removed From the Aichi Triennale After a Censorship Controversy
In Florence, Davide Balliano strikes up a dialogue with sculptor Arturo Martini
By: Osman Can Yerebakan
A Little-Known Piece of Literary History Sparked the Idea for This New Exhibition
By Kwon Mee-yoo
Suki Seokyeong Kang continues experimenting with space at Venice Biennale
A discussion of Ghada Amer's ceramic practice.
Suki Seokyeong Kang: Drawing on Korean cultural traditions to assemble a mise-en-scène of today
Mexico City’s Major Fair Exposes the Art World’s Renewed Love of Craft
남북 분단, 민간신앙…'아는 것'에 대한 고찰
(South-North Korea Division, Folk Belief...A Study on ‘Knowing’)
Richard Vine reviews Ghada Amer's exhibition Dark Continent at the Centre de Création Contemporaine Olivier Debré
September 1, 2018
By Robert C. Morgan
By Drew Clayton
Jeong: 28 Feb — 7 Apr 2018 at Tina Kim Gallery in New York, United States
‘The Arts of Korea’ Review: Cosmopolitan Creativity
“Ability vs Invisibility”: Korean artist Chung Seoyoung at Tina Kim Gallery, New York
Davide Balliano’s Mystical Geometrics at Tina Kim Gallery
By: Nicholas Forrest
The Questionnaire with the Italian Artist Based in New York Davide Balliano
Davide Balliano: 26 Jan — 24 Feb 2017 at Tina Kim Gallery in New York, United States
Born in 1957, in Seoul, Rhee Kibong is an artist using elements like fog, bubble, water, and dust. He explains the beauty of these substances although they are ephemeral and fades easily and explains that our body works in a similar way. He does not set any limits to materials, rather makes painting and installation both. Earning his B.F.A and M.F.A in Painting from Seoul National University, he is currently a professor of Fine Arts Department at the Korea University. He was included in Cagnes International Art Festival(1991), Bienal de Arte Contemporaneo de Sevilla(2008), Asia Pacific Triennial of Contemporary Art(2009), Moscow Biennale(2011) and other many exhibitions, gain attention.
The Brooklyn Rail reviews Ghada Amer's survey "Love Has No End" at the Brooklyn Museum
Author: Kimberly Lamm
A New York Times review of Ghada Amer's survey exhibition "Love Has No End" at the Brooklyn Museum.
By Karen Rosenberg