Jen Smith, WE MAKE THE RULES (2010). Satin and linen, 2 x 18 inches (5.1 x 45.7 cm)
Kang Seung Lee, Untitled (A looter wheels a shopping cart full of diapers) (2017). Inkjet print, frame, 32.75 x 48.75 x 2 inches (83.2 x 123.8 x 5.1 cm)
Kang Seung Lee, Untitled (Aftermath) (2017). Inkjet, frame, 32.75 x 66.75 x 2 inches (83.2 x 169.5 x 5.1 cm)
Kang Seung Lee, Untitled (Protesters after the verdict) (2017). Inkjet print, frame, 32.75 x 48.75 x 2 inches (83.2 x 123.8 x 5.1 cm)
Kang Seung Lee, Untitled (Korean Merchants on the Rooftop) (2017). Inkjet print, frame, 32.75 x 48.75 x 2 inches (83.2 x 123.8 x 5.1 cm)
Kang Seung Lee, Untitled (David Wojnarowicz by Peter Hujar_1983) (2016). Inkjet print, frame, 48.75 x 33.75 x 2 inches (123.8 x 85.7 x 5.1 cm)
Gala Porras-Kim, Reconstructed Southwest Artifact 2 (2018). Found artifact, graphite on unglazed ceramic, steel, mahogany, 9.75 x 12 x 13.5 inches (24.8 x 30.5 x 34.3 cm); wooden base: 1.75 x 7.25 x 7.25 in
Gala Porras-Kim, 2 embroidered fragments from Kertch reconstruction (2018). Graphite on paper, artist's frame, 104.25 x 72 x 2 inches (264.8 x 182.9 x 5.1 cm)
Gala Porras-Kim (b. 1984), Mesoamerican Negative Space 2 (2017). Plexiglas, graphite, fluorescent light, 48 x 32.75 x 0.75 inches (121.9 x 83.2 x 1.9 cm)
Gala Porras-Kim, Mesoamerican Negative Space 1 (2017). Plexiglas, graphite, fluorescent light, 48 x 47.5 x 0.75 inches (121.9 x 120.7 x 1.9 cm)
Gala Porras-Kim, One clump of raffia reconstruction (2016). Graphite on cotton paper, raffia, artist's frame, sculpture: 47 x 35 x 33 in; drawing: 60.75 x 36.75 x 2 in
Gala Porras-Kim, For Learning Zapotec Verbs (2012). Wood, pencil, paper, wire, found rocks, 30 x 37.5 x 2.5 inches (76.2 x 95.3 x 6.4 cm)
EJ Hill, Column (study) (2018). Graphite on paper, frame, 28 x 22 x 1.5 inches (71.1 x 55.9 x 3.8 cm)
Beatriz Cortez and Rafa Esparza, Portal (2018). Adobe, ceiba tree, 18 x 31 x 41 inches (45.7 x 78.7 x 104.1)
Gala Porras-Kim, Whistling and Language Transfiguration (2012). LP album in cyanotype print, 12 x 12 inches (30.5 x 30.5 cm)
Clarissa Tossin, ucham K'awiil (2018). Silicone, walnut, faux serpent skin, quetzal faux feather (dyed rooster feather), faux terracotta (dyed plaster), dimensions variable
Patricia Fernández, Box (a proposition for ten years) (2012-2022). Mixed media, dimensions variable
Carolina Caycedo, Vocabulary and Infrastructure/Vocabulario e infrasstructura (after The Distance Plan) (2017). Marker on 10 banknotes, frame, 10 x 47 x 1.5 inches (25.4 x 119.4 x 3.8 cm)
Carolina Caycedo, Not a Single Issue/No hay cuestión única (2017). Marker on bank note, colored paper, frame, 13.5 x 12.5 x 1.5 inches (34.3 x 31.8 x 3.8 cm)
Carolina Caycedo, Big Woman/Mujer Grande (2017). Wooden mask, handmade fishing net, handmade wool hammock, nylon fishing net, fabric, dry cattails, dry plantain stem fibers, vine, rope, 85 x 26 x 62 inches (215.9 x 66 x 157.5 cm)
Alice Könitz, Pavilion of the Present (2018). Wood, metal, paint, collages on paper, 173 x 190 x 190 inches (439.4 x 482.6 x 482.6 cm), dimensions variable