Ghada Amer (b. 1963) is a multimedia artist whose entire body of work, be it sculpture, embroidery or painting is infused with her strong ideology and aesthetic concerns.

Amer’s practice spans across a wide variety of media, including painting, embroidery, sculpture, and specially designed gardens. Her works deal frequently with notions of feminine identity and sexuality, appropriating and inverting the often-erotic motifs of sexual hegemony. She at once rejects societal norms that govern women’s attitudes towards their bodies, as well as the first-wave feminist theory that the body must be hidden and denied to prevent victimization.  

Amer’s works have been exhibited at a wide variety of institutions including the Museum of Modern Art in New York, the Whitney Biennial, the Venice Biennale, the Brooklyn Museum, the Smithsonian National Museum of African Art in Washington,  D.C., the Centre Georges Pompidou in Paris, the Garage Center for Contemporary Culture in Moscow, among others. Her works can be found in the collections of the Art Institute of Chicago, the Brooklyn Museum, the Centre Georges Pompidou, the Museo Jumex in Mexico City, the Crystal Bridges Museum of Art in Arkansas, the Guggenheim Abu Dhabi, the Museum of Arts and Design in New York, and the Leeum, Samsung Museum in Seoul, among others. 


b. 1963, Cairo, Egypt
Lives and works in New York


1991 Institut des Hautes Études en Arts Plastiques, Paris, France

1989 Villa Arson École Nationale Supérieure d’Art, Nice, France, MFA in Painting


Zapopan, Mexico, Museo de Arte Zapopan, Hoy el 70% de los pobres en el mundo son mujeres,
February 1 – May 31, 2020
Dallas, Texas, Dallas Contemporary, Ceramics, Knots, Thoughts, Scraps, September 30 –
December 17, 2018
Tours, France, Centre de Création Contemporaine Olivier Debré, Dark Continent,
June 2 – November 4, 2018
New York, NY, Cheim & Read, Ghada Amer, April 5 – May 5, 2018
Cape Town, South Africa, Goodman Gallery, Ghada Amer &Reza Farkhondeh/Love Is a Difficult
Blue, January 18 – March 3, 2018
New York, NY, Jane Hartsook Gallery, Greenwich House Pottery, Ghada Amer: Déesse Terre,
June 4 – July 5, 2017
Berlin, Germany, Kewenig, Ghada Amer, April 29 - July 30, 2016 2014
New York, NY, Cheim & Read, Rainbow Girls, April 3 – May 10, 2014
Seoul, South Korea, Kukje Gallery, Référence à Elle, May 17 – June 30, 2013 2012
New York, NY, Tina Kim Gallery, The Other I, April 26 – June 2, 2012
Montréal, Quebec, Canada, Musée d’Art Contemporain de Montréal, Ghada Amer,
February 2 – April 22, 2012
Johannesberg, South Africa, Goodman Gallery, No Romance: Ghada Amer, Reza Farkhondeh
and Collaborative Work, February 17 – April 2, 2011
Lisbon, Portugal, Galeria Filomena Soares, The Gardens Next Door: Ghada Amer & Reza Farkhondeh,
September 16 – November 6, 2010
New York, NY, Cheim & Read, Ghada Amer: Color Misbehavior, May 6 – June 19, 2010
Istanbul, Turkey, Dirimart, Ghada Amer: Failing Shahrazad, September 6 – October 24, 2009
New York, NY, Pace Prints Chelsea, Ghada Amer and Reza Farkhondeh: Roses Off Limits, April
16 – June 13, 2009
Singapore, Singapore Tyler Institute, Ghada Amer and Reza Farkhondeh: A New Collaboration
on Paper, February 23 – March 20, 2008
Brooklyn, NY, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, Ghada Amer: Love
Has No End, organized by Maura Reilly, February 16 – October 19, 2008
Seoul, South Korea, Kukje Gallery, Ghada Amer and Reza Farkhondeh: Collaborative Drawings,
December 15, 2007 – January 13, 2008; travelled to New York, NY, Tina Kim Gallery, March 14 –
April 8, 2008
Seoul, South Korea, Kukje Gallery, Another Spring, December 15, 2007 – January 13, 2008
Rome, Italy, Museo d’Arte Contemporanea Roma (MACRO), Ghada Amer, curated by Danillo
Eccher, May 25 – September 30, 2007
Milan, Italy, Galleria Francesca Minini, Ghada Amer and Reza Farkhondeh: An Indigestible Dessert,
May 17 – June 28, 2007
Hertogenbosch, Netherlands, Stedelijk Museums’-Hertogenbosch, Ghada Amer: Paintings and
RFGA Drawings, curated by Jos Poodt, July 1 – November 12, 2006
New York, NY, Gagosian Gallery, Ghada Amer: Breathe Into Me, January 21 – February 25,
 Kansas City, MO, H&R Block Artspace at Kansas City Art Institute, Ghada Amer: Naughty and
Nice, Curated by R. Smith, June 1 – July 16, 2005
Wellesley, MA, Davis Museum and Cultural Center, Wellesley College, The Reign of Terror,
curated by Anja Chávez, March 9 – June 19, 2005
Beverly Hills, CA, Gagosian Gallery, Ghada Amer, September 17 – October 23, 2004 Valencia,
Spain, Institut Valencìa d’Art Modern (IVAM), Ghada Amer, curated by Teresa Millet, September 9
– November 7, 2004
Indianapolis Museum of Art, Indianapolis Museum of Art, Forefront 45: Ghada Amer,
September 13 – November 30, 2003
Brescia, Italy, Galleria Massimo Minini, Ghada Amer, May 17 – July 30, 2003 Lisbon, Portugal,
Galeria Filomena Soares, Universal Strangers, curated by Rosa Martínez, January 16 –
February 22, 2003
London, UK, Gagosian Gallery, Ghada Amer, May 2 – June 8, 2002
Amsterdam, Netherlands, De Appel Foundation, Ghada Amer, curated by Saskia Bos, April 6 –
May 19, 2002
San Francisco, CA, San Francisco Art Institute, Works by Ghada Amer, February 13–May 20, 2002
New York, NY, Deitch Projects, Encyclopedia of Pleasure, November 10 – December 22, 2001
Oslo, Norway, Henrie-Onstad Kunstsenter, Reading Between the Threads, curated by Selene
Wendt, November 1 – December 2, 2001; travelled to Düsseldorf, Germany, Museum Kunst Palast,
February 2 – May 5, 2002; travelled to Umeâ, Sweden, Bildmuseet, University of Umeâ, May 26 –
October 13, 2002
Houston, TX, Contemporary Art Museum, Ghada Amer: Pleasure, curated by Valerie Cassel, July
26 – August 26, 2001
Tours, France, Centre Culturel Contemporain, Encyclopedia of Pleasure, curated by
A.J. Laferrière June 24 – October 29, 2000
Jerusalem, Israel, Anadil Gallery, Ghada Amer Drawings, June 16 – July 30, 2000
New York, NY, Deitch Projects, Intimate Confessions, April 15 – May 27, 2000; travelled to Tel
Aviv, Israel, Tel Aviv Museum of Art, June 15 – September 2, 2000; travelled to Berlin, Germany,
Kunst-Werke, June 10 – July 10, 2000
Seville, Spain, Centro Andaluz de Arte Contemporáneo, Ghada Amer, curated by Margarita
Aizpunu, November 26, 1999 – January 16, 2000
New York, NY, Annina Nosei Gallery, Ghada Amer, April 18 – May 20, 1998 1996
New York, NY, Annina Nosei Gallery, Ghada Amer, March 16 – April 10, 1996 1994
Brétigny-sur-Orge, France, Espace Jules Verne, Ghada Amer, September 30 – December 5,
 Paris, France, Galerie Météo, Ghada Amer, September 16 – October 23, 1993
 Paris, France, Hôpital Ephémère, Ghada Amer, March 1 – April 19, 1992


Rabat, Morocco, Musée Mohammed VI d’Art Moderne et Contemporain de Rabat, un instant
avant le monde, Biennale de Rabat 2019, curated by Abdelkader Damani, September 24 –
December 18, 2019
Capetown, Zeitz Museum of Contemporary Art Africa (MOCAA), All Things Being Equal,
September 22 – December 31, 2019
Brooklyn, NY, Brooklyn Museum, Half the Picture: A Feminist Look at the Collection, August 31,
2018 – March 31, 2019
Melle, France, Biennale de Melle, Le Grand monnayage: 8e biennale international d’art
contemporain de Melle, curated by Frédéric Legros and Chloé Hipeau-Diskos, June 30 –
September 23, 2018
Abu Dhabi, United Arab Emirates, New York University (NYU) Abu Dhabi, Ways of Seeing, curated
by Sam Bardaouil & Till Fellrath, September 3 – November 17, 2018
Greensboro, NC, Bob & Lissa Shalley McDowell Gallery, Weatherspoon Art Museum, University of
North Carolina at Greensboro, Dread & Delight: Fairty Tales in an Anxious World, curated by Dr.
Emily Stamey, August 25 – December 9, 2018. Travelling to: Faulconer Gallery, Grinnel College,
Iowa, USA; Akron Art Museum, Ohio, USA.
Washington D.C., Smithsonian National Museum of African Art, Visionary: Viewpoints on
Africa’s Arts, November 4, 2017 – permanent
Birmingham, AL, Birmingham Museum of Arts, Third Space: Shifting Conversations about
Contemporary Art, January 28, 2017 – January 6, 2019
New York, NY, Cheim & Read, The Female Gaze, Part Two: Women Look at Men, curated by
John Cheim, June 23 – September 2, 2016
Abu Dhabi, United Arab Emirates, Manarat Al Saadiyat, Seeing Through Light: Selections from the
Guggenheim Abu Dhabi Collection, organized by Susan Davidson, Solomon R. Guggenheim
Foundation, with Sasha Kalter-Wasseman, Guggenheim Abu Dhabi Project, and Maisa Al Qassimi,
Guggenheim Abu Dhabi, Abu Dhabi Tourism Cultural Authority, November 5, 2014 – January 19,
Brooklyn, NY, Brooklyn Museum, Killer Heels: The Art of the High-Heeled Shoe, organized by Lisa
Small, September 10, 2014 – March 1, 2015; travelled to Albuquerque, NM, Albuquerque Museum,
May 30 – August 9, 2015; Palm Springs, CA, Palm Springs Art Museum, September 5 – December
13, 2015; Manchester, NH, Currier Museum of Art, February 5 – May 15, 2014
Gwangju, South Korea, Gwangju Museum of Art, Songs of Loss and Songs of Love: Oum Kulthum
and Lee Nan-Young, curated by Sam Bardaouil and Till Ferhat, May 19 – July 13, 2014
Washington, D.C., National Museum of African American Art, Smithsonian Institution, Earth
Matters: Land as Material and Metaphor in the Arts of Africa, April 22, 2013 – January 5, 2014
Paris, France, Institut du Monde Arabe, Le Corps Découvert, March 26 – July 15, 2012
Doha, Qatar, Mathaf: Arab Museum of Modern Art, Told/Untold/Retold, December 30, 2010 – May
28, 2011
Moscow, Russia, 3rd Moscow Biennale, Dasha Zhukova’s Garage Center for Contemporary
Culture, Against Exclusion, September 24 – October 29, 2009
New Orleans, LA, Contemporary Arts Center, Prospect I, curated by Don Cameron, November 3,
2008 – January 18, 2009
Venice, Italy, African Pavillion, Arsenale, La Biennale di Venezia 52, Check-Lists Luanda Pop,
curated by Fernando Alvim and Simon Njami, June 10 – November 21, 2007
Brooklyn, NY, Brooklyn Museum, Global Feminisms, curated by Maura Reilly and Linda Nochlin,
September 12 – December 9, 2007; travelled to Wellesley, MA, Wellesley College, September
12 – December 9, 2007
Sydney, Australia, 15th Biennale of Sydney, Zones of Contact, curated by Charles Merewether,
June 8 – August 27, 2006
London, UK, British Museum, Word into Art, May 18 – September 3, 2006
New York, NY, Museum of Modern Art, Without Boundary: Seventeen Ways of Looking,
curated by Fereshteh Daftari, February 26 – May 22, 2006
Istanbul, Turkey, Istanbul Modern, Centre of Gravity, September 17, 2005 – January 8, 2006
Venice, Italy, 51st International Art Exhibition, La Biennale di Venezia, Always a Little Further, curated
by Rosa Martínez, June 12 – November 6, 2005
Düsseldorf, Germany, Museum Kunst Palast, Africa Remix: Contemporary Art of a Continent,
curated by Jean-Hubert, July 24 – November 11, 2004; travelled to London, UK, Hayward Gallery,
February 10 – April 17, 2005; travelled to Paris, France, Centre Georges Pompidou, May 25 –
August 8, 2005; travelled to Tokyo, Japan, Mori Art Museum, May 27 – August 31, 2006; travelled to
Stockholm, Sweden, Modena Museet, October 14, 2006 – January 14, 2007
Paris, France, Centre Georges Pompidou, Hommage à George Pompidou: Parcours dans les
collections du Musée d’Art Moderne, curated by Bruno Racine, April 3 – May 3, 2004
Long Island City, NY, Museum of African Art, Looking Both Ways: Art of the Contemporary African
Diaspora, curated by Laurie Ann Farrell, November 13, 2003 – March 1, 2004; travelled to Salem,
MA, Peabody Essex Museum, March 27 – June 20, 2004; travelled to Bloomfield Hills, MI,
Cranbrook Academy of Art, September 11 – November 28, 2004; travelled to Edinburgh, Scotland,
City Art Centre, June 18 – September 11, 2005; travelled to San Francisco, CA, Museum of the
African Diaspora, April 6 – June 4, 2006
Washington, D.C., National Museum of African Art, Inscribing Meanings: African Arts of
Communication, May 9 – August 26, 2003
Munich, Germany, Museum Villa Stuck, The Short Century: Independence and Liberation
Movements in Africa, 1945-1994, curated by Okwui Enwezor, February 15 – April 22, 2001; travelled
to Berlin, Germany, Martin-Gropius-Bau, May 18 – July 29, 2001; Chicago, IL, Museum of
Contemporary Art, September 8 – December 30, 2001; Long Island City, NY, MoMA PS 1, February
10 – May 10, 2002
Lyon, France, La Biennale de Lyon, 5th Biennale d’art contemporain de Lyon: Partage d’exotismes
(Sharing of Exoticisms), curated by Jean-Hubert Marin, Thierry Prat, and Thierry Raspail, June 27 –
September 24, 2000
Kwangju, South Korea, Kwanju Biennial, Man and Space, curated by René Block, March 29 –
June 7, 2000
New York, NY, Whitney Museum of American Art, Whitney Biennial, curated by Maxwell Lincoln
Andersen, Michael G. Aupig, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and
Lawrence R. Rinder, March 21 – June, 4 2000 Limerick, Ireland, Limerick City Gallery of Art, Friends
and Neighbours: EV+A 2000, curated by Rosa Martínez, March 10 – June 4, 2000
Long Island City, NY, MoMA PS1, Greater New York, February 27 – May 1, 2000 1999
Santa Fe, New Mexico, Third International Biennial, SITE Santa Fe, Looking for a Place, curated by
Rosa Martínez, July 1 – December 12, 1999
Venice, Italy, Venice Biennale, APERTO Over All, curated by Harald Szeeman, June 13 –
November 7, 1999
London, UK, Serpentine Gallery, Loose Threads, curated by Lisa Corrin, August 21 – September 20,
Kassel, Germany, Museum Fridericaum, Echolot, curated by René Block, March 22 – June 7, 1998
Villeneuve d’Ascq, France, Musée d’Art Moderne Lille Métropole, L’Envers du décor,
dimensions décoratives dans l’art du XXème siècle, October 17, 1998 – February 21, 1999;
travelled to Villeurbanne/Rhône-Alps, France, Institut D’Art Contemporain, May 21 – October
31, 1999
Johannesburg, South Africa, 2nd Johannesburg Biennale, Alternating Currents, curated by Okwui
Enwezor and Octavio Zaya, October 12 – December 12 1997
Grenoble, France, Le Magasin Centre National d’Art Contemporain de Grenoble, Vraiment
feminisme et art, curated by Laura Cottingham, April 6 – May 25, 1997
Cairo, Egypt, Espace Karim Francis, Miniatures, May 28 – June 18, 1996 Ljubljana, Slovenia, Moderna
Galerija, The Sense of Order, curated by Zdenka Badovinac, May 9 – June 23, 1996
1995 Graz, Austria, Neue Galerie am Landesmuseum Joanneum, Pittura/Immedia, curated by Peter
Weibel, March 11 – April 18, 1995
Frankfurt am Main, Germany, Galerie Martina Detterer, The Mutated Painting, February 25 –
May 5, 1995
Meymac, France, Abbaye Saint André Centre d’Art Contemporain, Bifurcations, February 20 – April
17, 1994; travelled to Dôle, France, Musée des Beaux-Arts, April 26 – March 10, 1994; travelled to
Albi, France, Cimaise et Portique, January 26 – March 10, 1994
Paris, France, Galerie Thaddeus Ropac, June, curated by Oliver Zahm, June 3 – July 17, 1993


Larson, Vanessa. “The National Museum of African Art has doubled its holdings of art by women.
This show puts their work in the spotlight,” The Washington Post (July 18, 2019)
“’They Were Exploring a New World’: Arnold Lehman on His Exhibition of Postwar American
Women Artists at Phillips,” ArtNews (July 25, 2019) [online]
Wilson-Goldie, Kaelen, “Ghada Amer at Cheim & Read,” Artforum (April 2018) [online]
Langmuir, Molly, “Seven Female Artists Weigh in On Men Painting Women, and Women Doing it for
Themselves,” New York Magazine (April 16, 2018) [online]
Rodney, Seph. “How Ghada Amer Uses Seduction to Expose Sexism,” Hyperallergic (May 10, 2018)
Vine, Richard, “Reviews: Ghada Amer at Centre de Création Contemporaine Olivier Debré”
(September 1, 2018)
“Ghada Amer – Why I Create,” Phaidon (November 1, 2017) [online]
Johnson, Ken, “’The Female Gaze, Part Two: Women Look at Men’,” The New York Times (July
29, 2016) [online]
Proctor, Rebecca, “Evocative Gaze,” Harpers Bazaar Arabia (Winter 2016) [online]
Laura van Straaten, “Earth, Love, Fire,” Harpers Bazaar Arabia (Winter 2016) [online]
OCAD University, “Nomadic Residents: Ghada Amer and Reza Farkhondeh,” (March 2014)
Laster, Paul “Ghada Amer, ‘Rainbow Girls,’” Time Out New York (April 17 – 23, 2014) [online]
Pincus-Witten, Robert, “Ghada Amer/Cheim & Read,” Artforum (Summer 2014) [online]
Artsy Editors, “In the Studio with Ghada Amer: Source Materials and Preparatory Drawings,”
Artsy (August 2, 2013) [online]
Artsy Collecting, “Why Collect a Ghada Amer?,” (August 5, 2013) [online]
Julie L. Belcolve, “Working Practice,” 1st Dibs Introspective Magazine (February 2011)
Wolff, Rachel, “Ghada Amer/Cheim & Read,” Artnews (Summer 2010) [online]
Farhat, Maymanah, “The Creative Rebellion of Ghada Amer,” Canvas Magazine (January
Rosenberg, Karen, “Veiled or Naked: Scrutinizing Women’s Roles,” New York Times (June 20,
2008) [online]
Enright, Robert, and Walsh, Meeka, “ The Thread of Painting: An Interview With Ghada Amer,”
Border Crossings (August 2009) [online]
Kolesnikov-Jessop, Sonia, “Ghada Amer: Defusing the power of erotic images,” New York Times
(March 12, 2007) [online]
Bodycomb, Michael, “Needling More Than the Feminist Consciousness,” New York Times
(December 28, 2007) [online]
Berwick, Carly, “Behind the Veil,” ArtNews (September, 2006)
Frankel, David, “Ghada Amer at Deitch Projects,” Artforum (February 2002) [online]
Renton, Andrew, “Beyond Tradition,” This is London (May 7, 2002)
“9 Painters: An On the Page Installation by Ghada Amer,” Modern Painters (Summer 2002)
Sheets, Hilarie M., “Stitch by Stitch, a Daughter of Islam Takes on Taboos,” New York Times
(November 25, 2001) [online]


Amer, Ghada; Farkhondeh, Reza; and Littman, Brett. Ghada Amer: Love is a Difficult Blue.
Johannesburg: Goodman Gallery. 2018.
Amer, Ghada. Ceramics. Berlin: Distanz Verlag GmbH. 2018.
Akkaoui, Nathalie; Balaghi, Shiva; and Welch, Adam. Ghada Amer: Earth, Love, Fire.
New York: Leila Heller Gallery. 2015.
Cresseils, Anne. Rainbow Girls. New York: Cheim and Read. 2014. 
Martinez Rosa, and Fadda, Reem. Ghada Amer: Référence à Elle. Seoul: Kukje Gallery. 2013.
Rieffel, Véronique. Le Corps Découvert. Paris: Institut du Monde Arabe. 2012.
Schwartz, Jamie and Lewis, Jacob. The Other I. Tina Kim Gallery. New York: Tina Kim Gallery. 2012.
St. Gelais, Therese. Ghada Amer, Montréal: Musée d’art contemporain de Montréal. 2012.
Rubin, Nathan. No Romance: Ghada Amer / Reza Farkhondeh; Collaborative Work.
Johannesburg: Goodman Gallery. 2011.
Amer, Ghada. In Context: A Series of Exhibitions and Interventions Engaging with the City of
Johannesburg: 23 May – 17 July 2010. Johannesburg: Goodman Gallery. 2010.
Antle, Martine. The Gardens Next Door. Lisbon: Galeria Filomena Soares. 2010.
Reilly, Maura. Ghada Amer. New York: Gregory R. Miller & Co. 2010.
Katz, Vincent. The Natural World, the Political Context: Collaborative Monoprints by Ghada
Amer and Reza Farkhondeh. New York: Pace Prints. 2009
Farrell, Laurie Ann. Ghada Amer & Reza Farkhoneh: Collaborative Drawings. Seoul: Kukje
Gallery. 2008.
Amer, Ghada. Another Spring. Kukje Gallery: New York. 2007.
Celant, Germano; Eccher, Danilo; Macri, Teresa; and Janus, Elizabeth. Ghada Amer. Rome:
MACRO. 2007.
Buszek, Maria Elena. Ghada Amer. New York: Gagosian Gallery. 2006.
Dan, Cameron, and Deitch, Jefferey. Monument to Now. Athens: Deste Foundation. 2004.
Farrell, Laurie Ann. Ghada Amer. Seoul: Kukje Gallery. 2004.
Homes, A.M., Ghada Amer. New York: Gagosian Gallery. 2004.
Martínez, Rosa; Lundström, Jan-Erik; and Millet, Teresa. Ghada Amer. Valencia, Spain: Institut d’Art
Modern. 2004.
Amer, Sahar, and Oguibe, Olu. Ghada Amer. Amsterdam: De Appel. 2003.
Freiman, Lisa D. Ghada Amer. Indianapolis: Indianapolis Museum of Art. 2003.
Haglund, Elisabet, and Maleström, Tamara. Sites of Recurrence: A Workshop in
Contemporary Art. Chennai, India: Madras Craft Foundation. 2003.
Martinez, Rosa. Ghada Amer. Lisbon: Galeria Filomena Soares. 2003.
Stirrat, Betsy, and Johnson, Catherine. Feminine Persuasion. Bloomington: Indiana University
Press. 2003.
Grosenick, Uta. Art Now. Cologne: Taschen. 2002.
Kim, Clara. Ghada Amer: Délier les Langues. Geneva: Galerie Guy Bärtschi. 2002.
Renton, Andrew. Ghada Amer. New York: Gagosian Gallery. 2002.
Cassel, Valerie. Ghada Amer: Pleasure [Perspectives 128]. Houston: Contemporary Art Museum.
Moss, Karen. Ghada Amer. San Francisco: San Francisco Art Institute. 2001.
Wendt, Selene. Ghada Amer: Reading Between the Threads. Høvikodden: Henrie Onstad
Kunstsenter. 2001.
Guralnik, Nehama, and Mordecha, Omer. Ghada Amer: Intimate Confessions. Tel Aviv: Tel Aviv
Museum of Art. 2000.
Breitz, Candice. Ghada Amer. Kassel, Germany: Kunsthalle Fridericianum. 1998.
Franceschi, Xavier, and Zahm, Olivier. Ghada Amer. Brétigny-sur-Orge, France:
Espace Jules Verne. 1994.
Barbu, Théophie. Ghada Amer. Paris: Hôpital Ephémère. 1992.


Arab Museum of Modern Art (MATHAF), Qatar Museums Authority, Doha, Qatar
Art Institute of Chicago, Chicago, IL
Barjeel Art Foundation, Sharjah, United Arab Emirates
Birmingham Museum of Art, Birmingham, AL
Brooklyn Museum, Brooklyn, NY
Centre Georges Pompidou, Paris, France
Museo Jumex, Mexico City, Mexico
Crystal Bridges Museum of American Art, Bentonville, AR
Detroit Institute of Art, Detroit, MI
Fond National d’Art Contemporain (FNAC), Paris
Fonds Régional d’Art Contemporain (FRAC), Auvergne, France
Fonds Régional d’Art Contemporain (FRAC), Provence-Alpes-Côte d’Azur, France
Guggenheim Museum, Abu Dhabi, United Arab Emirates
Hood Art Museum, Dartmouth College, Hanover, NH
Indianapolis Museum of Art, Indianapolis, IN
Israel Museum, Jerusalem Istanbul Modern, Istanbul, Turkey
Lille Métropole Museum of Modern, Contemporary and and Outsider Art, Villeneuve d’Ascq, France
Minneapolis Institute of Art, Minneapolis, MN
Museum of Arts and Design, New York, NY Museum
Kunstpalast, Dusseldorf, Germany
Neuberger Berman Art Collection, New York, NY
Rhode Island School of Design, Providence, RI
Sammlung Goetz, Munich, Germany
Samsung Museum, Seoul, South Korea
Savannah College of Art and Design, Savannah, GA
Seattle Art Museum, Seattle, WA
Smith College Museum of Art, Northampton, MA
Speed Art Museum, Louisville, KY
Tel Aviv Museum of Art, Tel Aviv, Israel